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勁拍入山中‧觥醐間竊歡愉─吳達坤及他的《Room 19》展覽
2009-01-17
文/陳韋綸 在當代藝術中談論夜生活文化絕非激進或前衛,起碼當吳達坤─去年末於關渡美術館開跑之《Room 19》之策展人─解釋展覽名稱何以刻意與台北知名夜店連結,以及夜生活、藥物文化如何遭污名化時,記者僅僅認為單憑過去一年內藝術介入社會不斷被強調、形式美學式 ...
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Sorry your browser does not support Iframes. EGGO makes extensive use of iFrames througout the site. In order to view it properly please update your browser.
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